Patreon – Patreoff

Well, it’ll be three months on Tuesday since the official release of my debut novel, Mornnovin. I’ll admit to slacking off on the business side of things once I got all of my Kickstarter backers taken care of, but wow the whole thing was a lot of work. I’m a writer, not an entire publishing house including a marketing branch (except as an indie self-pub, that’s exactly what I have to be. Ugh.)

So, I said I’d look into setting up a Patreon creator account so that people who want to support my writing going forward into this series would have a way to do that with their money and not just with nice words of encouragement – which are also welcome. It was my nebulous thought that I’d begin releasing some of the Asrellion short stories I wrote as my 2015 NaNoWriMo novel this way. Buuuuuuuuut. When I decided to finally get serious and deep-dive into the Patreon ToS, I tripped over this:

Patreon tos

…yikes?

I’m no lawyer, but that looks like a bad contract to me. I certainly don’t have a good feeling about it. Like, I’m honestly sort of confused about how it is that they actually have creators willing to sign that…? They go on to explain that this is so they can market your work to potential patrons, but the language of the agreement is so broad. And I just can’t get past the “irrevocable” thing.

Unless that clause changes and becomes less yucky at some point in the future, Patreon is going to have to remain a big nope for me.

Which leaves me back at Square One on the question of monetization and how best to let people purchase my short stories/support me as an artist. I could add a PayPal button to this blog and release the hostages as password-protected posts – an inelegant but workable solution – but the cost of upgrading the blog to the minimum package necessary for that would mean an additional $60 a year, which could very well negate any payments that might come in.

In other words, I’m not sure at this time what to do. Needs more thought. Patreon off the table, other suggestions welcome.

And hey, while you’re here: you could buy my book (or review it if you already have?)

To close out on a high note, here’s a photo of my husky wearing my husband’s glasses.

Professor Snuggleface

Look what came in the post today!

We are six days to launch and I was expecting the first shipment of my books for distribution to my Kickstarter backers this morning. They still hadn’t come by the time I had to leave for my day job (dog walking), so I left a note for UPS and hoped for the best.

Naturally, when I got the delivery ping as I was driving between jobs, I had to do the whole steering wheel-throwing, tire-screeching course change and stop home to check.

And. Well.

author selfie

Please ignore my grungy dog-walking look. Dogs don’t need me to look fancy.

There are now dozens of books with my name on them sitting in my living room, and they look gorgeous, and I am so excited to share them with you.

 

this has been Week One proper

Did I forget to mention here that, at long last, I’m finally making a book?!

Although my Kickstarter campaign closed (successfully!) on January 4th, I’ve spent much of the month in creative limbo while waiting for the site and my bank to process the donations. The waiting was not awesome, knowing what I needed to be doing but not having the means to do it.

Following the national holiday on Monday, the funding finally came through on Tuesday, and after doing a squealgasp of excitement I got to work.

The LLC is filed and paid for; I am now the somewhat giddy owner of my very own shiny new publishing imprint. That’s a check on the copyright, too. I also bought a bulk package of ISBNs and so was able to start compiling the files for the eBook, paperback, and special hardcover copies of the novel.

Do you know how long it takes to browse 658 pages of fonts online? I do, because that’s how I spent last Sunday night instead of getting a full night’s sleep, shopping for the perfect cover font.

One of the prizes going out to my backers is a short story set in the world of Asrellion, and I’d been kicking around the idea of using some of the surplus funds to print out nice little physical copies. That idea, unfortunately, has turned out to be a bust (too cost-prohibitive for anything halfway decent) so it’s back to Plan A on that which is digital. But work on the other little bits and bobs of backer swag continues while I also try to get a handle on the business aspect of everything that goes into not only publishing but promoting a novel.

Most thrilling of all, I’ve been getting progress sketches all week from my cover artist, Scott Baucan, culminating in a surprise message yesterday that it was done already, ahead of schedule. And guys. It. is. gorgeous. I can’t tell you how much I love it and how excited I am to see it in my hand on the front of my book.

Here is just a little teaser-taste for your ogling enjoyment.

cover teaser small

 

This week I’ll be getting craftsy, and continuing work on the files to be sent to the printing company. I’m trying without much luck to untangle a pretty knotty riddle: they want my page count in order to complete the setup file and issue my cover template, but how do I know what my page count will be before I’ve seen the thing formatted as a print book?

So yeah, that’s where I’m at. Now that I’ve got an imprint, and cover art, and ISBNs, and funds to pay for printing, the only thing standing between me and a spring release of my debut novel is my own ability to format the interior files, navigate the setup process, and figure out how one goes about obtaining advance reviews on a book that does not yet physically exist. This is dizzyingly exciting, but I’m also discovering that the stress and anxiety of being in charge of this whole thing myself is pretty nauseating and I’m sure I’m going to mess up something crucial.

Still. For tonight, I leave on this high:

text teaser

Guys that’s my name on the cover of a book — my book!